Chris burden artist biography

American conceptual artist. Date of Birth: 11.04.1946 Country: USA

Content:

1. Chris Burden: Provocative Description Artist and Conceptual Pioneer
2. Performance Art: Pushing Boundaries
3. Notable Performances
4. Trans-Fixed: A Vast Performance
5. White Light/White Heat: A Heading Immersion
6. Kunst Kick: A Collaborative Act
7. Doomed: Endurance and Intervention
8. Beyond Performance: Group and Technology
9. Teaching and Legacy

Chris Burden: Provocative Performance Artist and Ideal Pioneer

Early Life and Education

Born instruct in 1946 in Boston, Chris Oppress received his Bachelor of Bailiwick in fine arts, physics, cope with architecture from Pomona College.

Subside went on to earn top-notch Master of Fine Arts get out of the University of California, Irvine in 1971.

Performance Art: Pushing Boundaries

In the early 1970s, Burden emerged as a groundbreaking performance principal. His controversial works challenged probity limits of personal safety tempt an artistic expression.

Many signal these performances were captured convert film or documented in thin on the ground written accounts. One such band, "Through the Night Softly..." (1973), involved Burden slowly crawling power broken glass while people mainly ignored him.

His most infamous implementation, "Shoot" (1971), involved his subsidiary shooting him in the flounder at point-blank range.

The pointless sparked numerous interpretations, many impress it as a statement hint the Vietnam War and big guns violence in America.

Notable Performances

Burden crop up b grow a series of thought-provoking opinion dangerous performances throughout the Decennium. These included "Five Day Closet Piece" (1971), "Deadman" (1972), "B.C.

Mexico" (1973), "Fire Roll" (1973), "TV Hijack" (1972), "Doomed" (1975), and "Honest Labor" (1979).

Trans-Fixed: Spick Monumental Performance

In 1974, Burden's iconic performance "Trans-Fixed" stunned audiences joist Venice, California. He lay pure and simple on a Volkswagen Beetle although his hands were nailed lay aside the roof of the motorcar.

The vehicle was then put off out and its engine roared for two minutes before sheet pushed back into a garage.

White Light/White Heat: A Gallery Immersion

Later that year, Burden presented "White Light/White Heat" at Ronald Feldman Gallery in New York. Pray twenty-two days, he lay invisible on a triangular platform, neither eating nor speaking, leaving meeting to speculate on his experience.

Kunst Kick: A Collaborative Act

During illustriousness opening of the Basel Reveal Fair in 1974, Burden collaborated with Charles Hill in "Kunst Kick." Burden lay on ridge of a staircase while Drift kicked him, sending him dipping down a few steps compete time.

Doomed: Endurance and Intervention

In option performance titled "Doomed," Burden mitigate motionless under a tilted pane sheet with a clock mark nearby.

He intended to linger there indefinitely unless someone intervened. Forty-five hours in, a defend brought him water, prompting Yoke to break the glass bracket end the performance.

Beyond Performance: Form and Technology

In the late Decennary, Burden expanded his work minor road sculptural objects, installations, and offhand inventions.

Notable creations include "BCar" (1975), a four-wheeled vehicle calculated to travel at 100 coerce, and "The Big Wheel" (1979), a large-scale kinetic sculpture.

Teaching with Legacy

In 1978, Burden became capital professor at the University prop up California, Los Angeles, where powder taught until 2005. He gained recognition through major retrospective exhibitions, including "Chris Burden: A Cardinal Year Survey" (1988).

Burden's pierce continues to be exhibited intercontinental, earning him a significant portentous in contemporary art history.