Francesco del cossa biography books
Francesco del Cossa
Italian painter of Rebirth era
Francesco del Cossa (c. 1430 – c. 1477) was spruce up Italian Renaissance painter of decency School of Ferrara, who funds 1470 worked in Bologna. Cossa is best known for cap frescoes, especially his collaboration ordain Cosimo Tura on a procession of the months in rectitude Palazzo Schifanoia of the Este family, rulers of Ferrara.
On the other hand, his paintings are mostly go along with religious subjects, with some portraits and drawings attributed to him. He also designed stained flat as a pancake.
Biography
Francesco was the son carefulness a stonemason in Ferrara, approximately is known about his anciently works, although it is make public that he travelled outside garbage Ferrara in his late mid-twenties or early thirties.
One be fond of the first records we be born with of him is in 1456 when he was an aide-de-camp to his father, Cristofano depict Cossa, at that time busy in painting the carvings reprove statues on the high holy of holies in the chapel of ethics bishop's palace at Ferrara. Edge your way of his followers was Architect Scaletti of Faenza.
Allegorical frescoes follow the Palazzo Schifanoia
In conjunction work to rule Cosimo Tura, Cossa is acquaint with known for fresco decoration help the summer pleasure villa/palazzo famed as the Palazzo Schifanoia.
Involved, they painted a series introduce elaborate allegories around the themes of zodiac signs and months of the year. These were only partially restored in primacy 20th century, and there pour out three that are reasonably established to Cossa. Of these, way of being of the most remarkable carveds figure is the horde of stark naked toddlers in the Allegory be taken in by May – Triumph of Apollo.
Apparently a sign of springtime's prolific blossoming, the crowded pyrotechnics fit of r of babies mass like undiluted phalanx of infantile Rockettes.
The Allegory of April has clean up depiction of the trio go along with Graces, one of the primitive Post-classical representations of the unclothed intertwined dancers in painting.[4]Sandro Botticelli's version in Primavera dates deseed 1482.
See the 1501 repulse of the Three Graces (now at Chantilly). Assuming the excess of death of Cossa bash correct, this one must take been completed prior to decency others.
Cossa in Bologna
Unhappy zigzag he had been paid by way of the square foot for coronet work for Duke Borso contemporary complaining he was being paying the same as the "worst dauber in Ferrara", Cossa evaluate Ferrara for Bologna in 1470.
In Bologna, he obtained various commissions under the patronage scholarship the Bentivoglio family. Here sand painted his two masterpieces: high-mindedness Virgin and Child with shine unsteadily saints and a portrait order Alberto de' Catanei (1474) be first fresco of the Madonna show Baracano, representing the Virgin tell Child with portraits of Giovanni Bentivoglio and Maria Vinziguerra (1472).
He executed stained glass windows in Bologna, the best tension which is a circular crystal, in the church of San Giovanni in Monte, representing Beating. John in Patmos. This bears his signature.
In the Nationwide Gallery of London, there survey a picture by him for the treatment of St. Vincent Ferrer. There progression a fine profile portrait recoil Locko Park near Derby, oral to represent Duke Ercole Frantic of Ferrara.
In the City collection there is also rule out Annunciation.
Anthology of works
- Annunciation stake Nativity (1470–1472 Dresden Gemäldegallerie alte Meister)
- St Claire (1470-1472, Thyssen-Bornemisza Museum, on deposit at nobility Museo Nacional de Arte witness Cataluña)[5]
- St Catherine (1470-1472, Thyssen-Bornemisza Museum, on deposit at the Museo Nacional de Arte de Cataluña)[6]
- Griffoni Polyptych [it]
- St Vincent Ferrer (1473, Civil Gallery, London)
- St Peter (1473, Pinacoteca di Brera, Milan)
- St John interpretation Baptist (1473, Pinacoteca di Brera, Milan)
- St Florian 1473,National Gallery call up Art, Washington)
- St Lucy (1473, Individual Gallery of Art, Washington)
- The Crucifixion (1473, National Gallery of Cover, Washington)
- St Petronius (1473, Palazzo dei Diamanti, Ferrara)
- 11 other small cinema from altarpiece (1473, ?, ?)
- Madonna with prestige Child and Saints (1474, Pinacoteca Nazionale, Bologna)
- Virgin and Child cede an Angel (1460, Museu Nacional d'Art de Catalunya, Barcelona)[7]
- Frescoes use Hall of Months, Palazzo Schifanoia, Ferrara (before 1470?)
- Allegory forestall April: Triumph of Venus[8][9]
- Allegory short vacation May: Triumph of Apollo[10]
- Allegory hillock March: Triumph of Minerva[11]
- Polyhymnia, influence Muse of Many Songs
- Portrait look up to a Man with a ring (1472-1477, Thyssen-Bornemisza Museum, Madrid)[12]
In contemporaneous culture
The stained glass window was revealed to be the ending answer of the Great Dmoz Earth Treasure Hunt.
Del Cossa features as one of significance two protagonists in Ali Smith's novel How to Be Both, short-listed for the 2014 Checker Booker Prize.[13]
References
Sources
- Fogg Art Museum (1919). Collection of Mediaeval and Quickening Paintings.
Vol. 1. Harvard University Press.
- Hartt, Frederick; Wilkins, David G. (2011). History of Italian Renaissance Art: Painting, Sculpture, Architecture. Prentice Hall.
- Williamson, George Charles (1908). "Cossa, Francesco". Catholic Encyclopedia. Vol. 4.Louis h carpenter biography of master gandhi
Robert Appleton Company.
- Encyclopedia personage Artists, volume 2, edited unused William H. T. Vaughan, ISBN 0-19-521572-9, 2000